Every Little Thing I Adore About 'Woman in the Dunes'
I first saw Hiroshi Teshigahara’s ‘Woman in the Dunes’ early into my first year of college, buried somewhere amidst the treasure trove of world cinema classics YouTube were (knowingly or not) hawking at that time. It immediately struck me as something special but similar to Harakiri I actually found finishing the picture a real challenge. It’s a Gordian knot of Sisyphean black magic I found exhausting on the first few attempts. F lash forward to now and there’s sometimes a saying between artists, painfully amateur or immortally profound, that they wish they’d made someone else’s work. ‘Woman in the Dunes’ is my movie.

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